STORYBOARDS
STORYBOARDS
FROM DRAMATIC SCENES TO OUTER SPACE, AND FROM INSIDE THE BODY TO INSIDE HISTORICAL EVENTS, WE CAN VISUALIZE ANYTHING YOUR IMAGINATION CAN STIR UP.
We work with you to find just the right style for your project, taking your timeframe, budget, artistic needs and presentational format into account. Specializing in pre-visualization for 3D and VR, we’re known for using unique, hand-drawn storyboards in addition to photo-real.
Work Includes: ‘Wonder Woman’, ‘Manifest’ TV Series, ‘Barbarians Rising’ (October Films/History Channel) ‘Inside the Human Body’ (BBC), ‘Gettysburg’ (Ridley Scott/Scott Free/History Channel), ‘The British’ (Nutopia), ‘Supersize Earth’ (BBC), ‘The Continents’ (BBC) and ‘Mankind’ (Nutopia).
PROJECTS WE LOVE:
Feature Film Storyboards, Storyboards for Live Events, Storyboards for Science, Anatomy, History, Drama, Psychological/Difficult Subject Matter, Abstract, Fantasy, Film Pitch Packages, Script Development, TV, Documentary, Mega-Docs, Factual, Commercials, Promos, Idents, Graphic Novel Styles, On-set Revisions, Revisions during the Edit, Last Minute Miracle-Working
STYLES AVAILABLE
Full Colour: Digital or Traditional (pencils, ink, watercolour) Great for pitches, previs, commercials.
Monochrome: Tinted to suit the scene, or using a single colour tone for continuity. Best for bulk work or series where final grade and colour is still evolving.
Pen & Ink/Black & White: Loose and sketchy or bold/clean line.
Pencil: Technical, precise and shaded, or quick and simple sketching. Monochrome Tint (blue tone or sepia tone) also works great for pencil.
Digital Colour/Photoreal/Photobasing: Composited from references, using digital texturing and ayering. Fast and consistent in style. Can incorporate 3D elements, or can utilize a mix of hand-drawn looking or oil paint mixed into the photoreal.
ART DEPARTMENT SERVICES
Our tool belt is packed with award-winning design services for perfecting the creative side of your film or project.
We can help you through Script development stages with Storyboards and Concept Art, then take it further with Production Design and VFX supervision on set, or just add the explosive finishing touches with CGI and post-production comps.
The Art Department is under the direction of Elizabeth E. Schuch, who specializes in pre-visualization for VFX as well as being a master of traditional/histroical art techniques. Known for her versatility and speed, her high-end storyboards are in demand on complex productions. She works closely with directors, as well as the VFX department in the design and development stages.
Elizabeth trains film students in storyboarding and visual story in workshops and m sterclasses at film festivals, including Raindance Film School, the Nederlands Film Festival, Fantaspoa, and the Toronto Liason of Independent Filmmakers.